The Bell Hours

The Bell Hours sound is open and expansive - reminiscent of the endless plains to the east of the Rocky Mountain front range that the band currently calls home. But it’s significantly farther east that songwriter, lyricist, and keyboard player Klaus Larson draws inspiration for his mid-tempo ruminations on life in the new millennium. It’s Denver by way of Manchester, and the band proudly wears their Britpop influences on their post-modern flannel sleeves. 

Continuing the innovative tradition of their eponymous first record and subsequent EP, The Bell Hours forthcoming new album, Glow, is moody, comfortable, and consistent. There are hints of Nick Drake and Sufjan Stevens rubbing elbows with Keane and the descendants of the best of the bands inspired by the rich lineage of U2 and Radiohead. Larson and Co. are not afraid of a minor key, a reimagined drum loop, or an odd time signature - and the synth pop textures and ornate orchestral touches are distinctly modern while retaining an acoustic earthiness that reflects the boundlessness of the stark blue skies above the high plains. The overall effect of Glow is how these nine new songs wash together like the comfort of an autumnal rainy day. 

While an accomplished producer and arranging wunderkind, both onstage and in the studio Larson wisely surrounds himself with musicians adept at interpreting his singular vision. Glow is deftly recorded and expertly delivered, and it is an engaging example of Britpop reinterpreted with an American sensibility. 

Joe Armstrong – 9.15.19